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    Regardless of whether or not we view pink dollar marketing as good or bad, we cannot deny its ubiquity. A common reaction to marketing towards LGBTQ people has been to see this as a sign of greater acceptance: but acceptance of what? When R. Ads like this and the reactions they elicit highlight the many challenges queer people face when it comes to advertising. Michael Wilke, an ad analyst from New York and creator of The Commercial Closet website, has argued that although there has been a huge increase in recent years in the number of ads featuring queer people, most are designed not to target them as a market, but rather to exploit them.
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    Pink Dollar Marketing and Queer Representation in Advertising

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    Something seems fishy: mainstream consumer response to drag queen imagery | SpringerLink

    Heterosexual participants browsed a digital magazine containing advertisements featuring gay males before completing a questionnaire measuring ad appeal and consumer behavioral intentions related to the advertised brands immediately after exposure. Ad appeal was positively correlated with cognitive effort, suggesting participants who liked the advertisements featuring gay males exerted more effort attending to and evaluating the ads. The consumer behavioral intentions of participants who found advertisements featuring gay couples unappealing significantly increased after a 3-week delay, but did not change among those who found the advertisements appealing. The findings suggest that the influence of negative reactions to gay imagery in advertisements fades after a short temporal delay, whereas the influence of positive reactions to gay imagery in advertisements is more lasting.
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    Gay and Lesbian Marketing

    Based on the social identity theory, this study posits that implicit vs. A web-based experiment reveals that while different imagery types implicit vs. Additionally, the ad imagery and consumer tolerance toward drag queens have an interaction effect on brand attitude via ad attitude in the explicit drag queen-themed imagery condition but not in implicit imagery. These changes in both queer and mainstream consumer markets mean that the fashion and beauty industries will face many challenges. While some may view this as exciting, others feel concerned about facing resistance within the mainstream media and broader consumer segments.
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    The visibility of gay and lesbian consumers along with accurate research on their spending patterns has grown dramatically in the past decade. Growing competition among companies for this market has also transformed a media trend into solid marketing and partnering opportunities. We see avoidable issues of consumer backlash, communications failures and public relations gaffes by companies who find they are grappling with these market questions. Straightforward objectives can and do demand sensitive, experienced approaches. Even the best-intentioned outreach can become misunderstood or difficult to address for all levels of management.
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